As someone who doesn’t hold a deep hatred
for the Hardy brand, I understood Wear
Your Dreams as a telling of how he ended up where he is today, what sparked
his interest in tattooing and how he pursued it. My favorite chapter was when
he spoke about his childhood, tattooing his neighborhood friends, and going to
car shows just to see the hood artwork. However, last class’s discussion forced
me to consider Hardy has the bad guy that so many of his fellow artists believe
him to be.
His opposition argues that his movement
from tattooing to designing tainted his artwork, commercialized it in a way
that no longer represented traditional tattooing culture. And to add to the
commodification of the art form, he was making outrageous amounts of money. We similarly discussed Wear Your Dreams
as a way for him to respond to criticisms that these actions made him a sell
out. Personally, I do not believe that Hardy’s entrance into the fashion
industry was necessarily selling out. However, I think that his choice to
publish a book, a way he can make more money, was not the best public
medium to respond to those who already believe he sold out. To start the cover is flashy (both literally-- its covered in flash, and figuratively) and his name is as big if not bigger than the title. Its flashy design, like anything flashy, gives off the impression that its for attention. I know you're not supposed to judge a book by its cover, but from the look of this one, it is Hardy's cry for attention, cry for more money. If I'm seeing this as someone who doesn't hate Hardy, I'm sure those who do simply see this book as yet another way to make a buck. In a way, his decision to
publish and market his response only further feeds the idea that he is in the
business of making money, not art.
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